duminică, 10 iunie 2012

anthropology in/of museums

8-10th of June, RAI Conference at British Museum.
Two panels dedicated to museums, representation and the relation between anthropology and the museum world.
P02 Exhibiting Anthropology and
P14 Anthropology in/of museums.

I particularly think that discussions which have anthropological background applied to the museum world are very useful. Some of the reasons for this assumption are the following:
a. anthropology is reflexive and critical at its own discourse and making (also as a response to its collonial non-reflexive past) - and museums very often tend not to be reflexive. Why so, it is an interesting topic of discussion.
b. anthropology works with scale - personal stories, options, realities; museums tend to generalise.
c.both anthropology and museums deal with truth.
d.in relation to that, both deal with representation/s of partial truths.
e. it was also discussed the role of art interventions in ethnological or anthropological museums - and its playful, critical point in addressing issues that employeed researchers and currators in museums are not allowed to
f. etc - this was by far the most interesting part!

being said that, I attach two images from a bok with the installation of Fred Wilson, an artist who specifically works and criticises the museum field.

Un comentariu:

Unknown spunea...

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Turin, like the rest of Piedmont, was annexed by the French Empire in 1802. The city thus became seat of the prefecture of Pô department until the fall of Napoleon in 1814, when the Kingdom of Piedmont-Sardinia was restored with Turin as its capital. In the following decades, the Kingdom of Piedmont-Sardinia led the struggle towards the unification of Italy. In 1861, Turin became the capital of the newly proclaimed united Kingdom of Italy until 1865, when the capital was moved to Florence and then to Rome after the conquest of the Papal States in 1870. In 1871, the Fréjus Tunnel was opened, making Turin an important communication node between Italy and France. The city in that period had 250,000 inhabitants. Some of the most iconic landmarks of the city, like the Mole Antonelliana, the Egyptian Museum, the Gran Madre di Dio Church and Piazza Vittorio Veneto were built in this period. The late 1800s were also a period of rapid industrialization, especially in the automotive sector: in 1899 Fiat was established in the city, followed by Lancia in 1906. The Universal Exposition held in Turin in 1902 is often considered the pinnacle of Art Nouveau design, and the city hosted the same event in 1911. By this time, Turin had grown to 430,000 inhabitants.
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