Se afișează postările cu eticheta inspiration. Afișați toate postările
Se afișează postările cu eticheta inspiration. Afișați toate postările

miercuri, 19 aprilie 2023

Digiteca

O puteti consulta aici https://adt.arcanum.com/ro/. Este realizata de o companie private din Budapesta.  Sint mai mult de 4 milioane de articole din periodice interbelice, care pot fi cautate in text integral, dupa imagini etc.

 

Continutul este furnizat pe baza de abonament.

marți, 15 mai 2018

Jobs, residencies and internships for artists and curators

Are you an artist? Not sure. Me neither.
I  often think that anthropologists and ethnographers are so close to the field of art and rarely have the strength to step out of academia and see if they could have something to say/ work/ in this field.



I thought of putting together a list of websites where jobs, internships, residencies in the field of art could be taken. They are all in the UK. A friend of mine told me about all three of them.

http://www.artsjobs.org.uk/arts-jobs-listings/

 https://www.curatorspace.com/.

https://www.a-n.co.uk/network/

I suppose all these sites might be a good hubs for all those who want to push forward their projects, gain some money from residencies, find about regulations (like data protection in the field of arts).

miercuri, 2 mai 2018

Ordinary Curating in Micro Museums


The Cornice Museum of Ornamental Plasterwork in Scotland

Have you wondered why sometimes visiting a small museum makes people feel nostalgic about the past? What is it so powerful and special about ordinary curating? How objects are exhibited, labelled, explained? How specific designs are associated to feelings?

An introduction into the world of micro-museums by Fiona Caitlin.

https://www.youtube.com/watch?v=PwKCTSIs7CU

miercuri, 17 iunie 2015

Art and Tourism

That Tourism is one of the biggest industries in the world, is not a new thing to say. It has its peculiarities, though. It is based on a major economic inequality: some people have money to travel, some others have barely some to cope with living, and consequently encounter tourists (generally) with a lot of appreciation and happiness.
From this economic and affective juxtaposition some artists manage to draw subjects of inspiration.
Marcus Coates is one of them. I am going to write about two of his projects. One is entitled the Trip, and was commissioned by the Serpentine Gallery in London as part of the project Skills Exchange. It deals with the artist' work for outpatients as St John's hospice asking the question 'What can an artist do for you?' Those who responded suggested various things, among which a trip to the Amazon. Coates did the trip, filmed part of it, screened it and talked to the people who commissioned it - about this journey that he did for them, about fears and strengths, about how much you can push yourself, about meeting the Amazon people through an intermediary - but still feeling great, about storytelling.
The Interview and long conversations between the artist and one of the patients in the hospice were touching in their simplicity and curiosity: what those people were eating, the effects of entering in contact with the white men, etc. At the end of the interview there is an artist's note: That the person who commissioned this trip died not long after this interview. In our last conversation we continued to talk about our trip. He said that he often went down the river into the jungle when de needed to.


The other project of Marcus Coates is the following performance he did in front of an audience of old people living in a block of flats: Trip to the Lower World.
https://www.youtube.com/watch?v=FAUWVKxiG2s


The second artist I want to write about is Martin Parr's collections of postcards. Some of them were exhibited in Barbican's exhibition: Magnificent Obsessions: The Artist as Collector.
His books with photos taken by him are just great. Mass Tourism, Small World (a critique of  or From Home and Abroad is one of them.
http://www.martinparr.com/


'Leisure, consumption and communication are the concepts that Martin Parr has been researching for several decades now on his worldwide travels. In the process, he examines national characteristics and international phenomena to find out how valid they are as symbols that will help future generations to understand our cultural peculiarities. Parr enables us to see things that have seemed familiar to us in a completely new way. In this way he creates his own image of society, which allows us to combine an analysis of the visible signs of globalisation with unusual visual experiences. In his photos, Parr juxtaposes specific images with universal ones without resolving the contradictions. Individual characteristics are accepted and eccentricities are treasured.
(...)
Martin Parr sensitises our subconscious – and once we’ve seen his photographs, we keep on discovering these images over and over again in our daily lives and recognising ourselves within them. The humour in these photographs makes us laugh at ourselves, with a sense of recognition and release.' Thomas Weski
A model wears a piece from a capsule collection designed by House of Holland in collaboration with the photographer Martin Parr.

luni, 18 mai 2015

'Stop and Go!' Bulgarian International truck drivers, stories from the Giurgiu/ Ruse border, Eastern European Migration

Bulgarian International Truck Drivers: A Methodological Approach

This is a post about a team of artists and researchers based in Eastern and Central Europe who investigate artistically on issues related with movement, migration, spaces, borders, fronteers.
The picture presented above comes from Emilya Karaboeva's research on Bulgarian Truck Drivers during the Cold War Era.

For more details on this project visit the following blog:
http://stopandgo-transition.net/blog/

Nodes of Transformation and Transition focuses its research on the transformation of the informal hubs, nodes and terminals at the “PAN-European corridors” in Eastern Europe and Vienna that emerged parallel to the increase in traffic volume after the fall of Communism and moreover their impact on the public realm at the margins and even in the core of the cities.
When increasing numbers of people are obliged to spend increasing amounts of time in transit, when their vehicles serve increasingly as a form of personal shelter or home, then transition nodes along their primary route – where exchange between the actors en route happens – acquire ever-greater significance. The alternative models of urbanism that ensue from the paradigmatic shift at these spaces, are shaped by polyrhythmic densifications and the continual performance of difference such as also increasingly inform our everyday lives.
In a first step of developments of informal nodes so-called “leakage currents” and “ant (flying) vendors” give rise to their spatial and social structures (Karl Schlögel, 2009). Where trade takes place exchange happens and difference arises. If we follow Henry Lefebvre’s thesis that urbanity is no more defined by density but by the degree of difference performed at specific places then these nodes paradigmatically represent new forms of urbanity (Henry Lefebvre, 2003). Many of these informal gathering places over time might have been transformed into more formal and controlled territories, and new ones might have appeared. Examples of such transformations have already reached the peripheries and cores of many middle European cities and have had an impact on the process of their urbanisation (Regina Bittner, 2007) by the reconfiguration of the urban fabric and its social life.
Although spaces in general are considered to be socially produced – no matter if they are de jure private or public property – the very same spaces can be at different times featureless non-places (Marc Augé 1992) or lived spaces, where only private concerns of a few individuals can be negotiated, or even a wider public might encounter for discussions. In previous research projects informal nodes – especially illegal markets were investigated – but just as single entities and at one specific timeslot only. What remained largely unexplored so far was emphasising on these nodes as polyrhythmic ensembles, linked to their temporal adaptability – reacting on daily, weekly and seasonal rhythms of traffic flows – as well as their interdependence of one another.
The (geo-political) position of Vienna concerning the corridors is of our particular interest: In Vienna three of the major PAN-European corridors are intersecting in its wider metropolitan region. Vienna is the meeting point of decision- and policymakers and the seat of headquarters of several private companies involved in planning and executing the expansion and upgrading of the (traffic) infrastructure in Eastern Europe, as well as the source and target destination of humans, goods, capital circulating via these nodes and employees regularly visiting them.
The points of departure for our research therefore are three nodes arranged in a triangle, one of its corners represented by Vienna, while the other two are located close to each end of the north-south axis of the PAN-European corridors where (post-socialist) transformation unfolded against different geo-political backdrops: in the border and port cities of Rousse/Giurgiu (BG/RO), and in Tallinn (EST). The clusters differ radically owing to their historical and current geo-political location, the quality and degree of their regulation by the state and legal formalisation, and the design of the hubs and nodes.
In the light of current political discourse in the West, which fosters fear of an invasion of cheap mobile labour and goods from the East, via these very corridors, it seems pertinent to show our dependence on such networks, by recalling the extent to which these “imports” underpin our living standards. A re-evaluation of dualistic discourse about the so-called East and West is also implicit in this focus on the nodes of mobility networks and the diverse range of mobility streams that pass through them. In the view of those multi-local social actors who work or stop at these nodes, the centre is increasingly far-removed from the (former) West, and the definition of centre and periphery increasingly needs to be challenged.
The project draws extensively on theories from interdisciplinary mobilities studies (Tim Cresswell 2011), in our case inspired by cultural anthropology, human geography and urban studies, and on mapping discourses, which, although fairly well established in the English-speaking world, are still under-represented in the German scientific community. By introducing this synthesis of theories and methods from interdisciplinary critical mobilities studies and performative or even immersive spatial strategies of research and representation drawn from artistic research practice, the project is likely to impact theoretical production and practice in a number of fields. In seeking to integrate highly contested or even seriously disputed art-based research in established scientific community discourse, the project consciously fosters a paradigm shift.

luni, 26 ianuarie 2015

Store images and store together



Laboratorio di sociologia sociale' s idea is to put and store together images from anthropological and sociological researches. This project is based in University of Genova, Italy.


http://www.laboratoriosociologiavisuale.it/lab/
They also organise a conference and a CfP.


 CFP: The Slating Gaze/ Lo sguardo obliquo - Deadline, March 30 2015

vineri, 18 iulie 2014

Susan Hiller: An anthropologist who decided to become an artists

Susan Hiller
Susan Hiller, Work in Progress, Friday , 1980
Susan Hiller
Work in Progress, Friday 1980
© Susan Hiller.

Would like to know more about Hiller's 'process of collecting and restaging cultural artefacts and experiences' and 'how visual imagery can inform the understanding of intellectual ideas' (see
http://webarchive.nationalarchives.gov.uk/20120305084711/http://www.tate.org.uk/britain/exhibitions/susanhiller/default.shtm).

marți, 15 iulie 2014

100 of the Most Influential Ethnographies and Anthropology Texts

A selection:

http://architectonictokyo.com/100_of_the_Most_Influential_Ethnographies_and_Anthropology_Texts.html

An obvious reaction to looking at these titles is saying I have read this and that, and I would like to read this and that! But also, and here I feel some butterflies in my tummy - happyness, feeling that people around can start writing better ethnographies in anthropology, books to inspire...

joi, 19 septembrie 2013

Art from bureaucracy and archives on display

Recently I started to be interested in how archival materials can be displayed in an attractive and intelligent way.
It is the researcher who wants to display artistically, or the artist who is fascinated by the scientificity and bureaucracy of the researcher?
This post will be made out of titles of books/ exhibitions/ artists concerned with these issues:
Start with 1
1. an article about an exhibition of the Bauhaus Archive in Germany http://www.eyemagazine.com/blog/post/tear-off-type-walls-in-berlin

IMG_8353


2. Forging Folklore, Disrupting Archives - an exhibition plus events organised 15 May-15 July 2014 in Goldsmiths College, Constance Howard Gallery with the special contribution of materials from the Special Collections, Goldsmiths.




3. A very good book on art practices and archives: - Sven Spieker (ed.), 2008. The Big Archive: Art from Bureaucracy. Cambridge&London: The MIT Press. The articles included were written by: Freud, Ducham, Breton, Corbusier, Lissitzky, Eisenstein, Susan Hiller, Michael Fehr, Andreea Fraser, Sophie Calle. Introduction: Ilya Kabakov - Sixteen Ropes.
4. Archive as Strategy
East Art Map: History is Not Given. Please Help to Construct It
http://calvert22.org/resources/archive-as-strategy-east-art-map-history-is-not-given